MPGM Music Academy

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Courses at MPGM Academy

The Academy offers exhaustive courses (classroom and online) both in vocal and instrumental music.

vocal training

Lay a strong foundation with MPGM Music Academy

Music has different meanings for different individuals. Some of us consider it as meditation and a source of contentment and self-discovery, while some of us want to take up music as a profession. At MPGM Music Academy, we believe that two students can’t learn music in the same way. This is why, we teach music as per individual objectives, growth charts, and milestones .

Course Details

Admission

Music, like other forms of art, requires a lot of dedication, commitment, discipline, practice, patience, determination and devotion. Admission is open to one and all with the above requirements.

Currently, in MPGM academy, students range from 6 years to over 70 years.

We Follow "Guru Shishya Parampara"

Taking an examination is absolutely optional because we believe in the “Guru Shishya Parampara of music education. In the “Guru Shishya” ideology, a disciple of music continuously follows and learns from the Guru. We believe that one should try to be a “disciple” of his/her Guru rather than a “student”. Being a disciple requires a rigorous and continuous commitment to Music. In that sense, certifications and examinations do not matter, as the Guru is fully aware of the disciple’s level of accomplishments and skills. We encourage our students to focus on learning and continuing the tradition of music, the way it has been followed through generations. However, if someone wants to take an examination as a means of quantitatively assessing his or her individual level of accomplishment, we will not discourage.

Extensive Syllabi

Our training covers the syllabi designed by the eminent music universities of India like Prayag Sangeet Samiti (Allahabad), Pracheen Kala Kendra (Chandigarh), Bangiya Sangeet Parishad (West Bengal), Akhil Bharatiya Gandharva Mahavidyalaya Mandal (Mumbai), Indira Kala Vishwavidyalay (Khairagarh) etc.

For students who wants to take a certification examination, we advise them to learn properly first from his/her Guru and if they are absolutely ready, then only appear for the examination. 

We arrange a facility to appear in the examination under the various boards with our own conditions.

Pre-beginner (Semi-classical & Bollywood)

For those:

  • Who have never learnt
  • Wants to sing and can do some practice
  • Can sing sargam

Course covers:

  • Understanding of swars, saptak, name of pitch, alankar, taal, matra, sam, besura, beta, aroh-avroh, raag, and types of compositions like khayal, tarana, thumri, dadra, bhajan, geet, ghazal, and popular songs.
  • Matching of voice with different notes.
  • Alankar – 10 nos in Bilawal and Kalyan Thaat.
  • Keharwa, Dadra, and Teental.
  • 6 songs & 4 Bhajans (Hindi)

Beginner (Short term course - 3 months)

For those:

  • Those who want to sing but never learnt and can do their practice.
  • Singing is decent in terms of Sur and Taal.

Course covers:

  • Raag – Bilawal & Bhairavi. Singing combinations in Raags.

    • Chhota Khayal in above Raags.

  • Vocal techniques

    • Throwing of voice to make singing easy.
    • Hitting notes comfortably in the current range of voice.

  • How to use Meend, Gamak, and Kanswar.

  • Keharwa & Dadra Taal.

  • 4 Bhajans & 4 Songs (Hindi)

Syllabus for Classical Vocal training

(Each Course Duration 1 Year)

SA (Beginners)

  1. Knowledge of Shuddha and vikrit swars.
  2. Practice of alankaars
  3. Raag – Alhaiya Bilawal, Yaman, Khamaj and Bhupali
  4. Taal – Keharwa, Dadra and Teentaal.
  5. Chhota Khayal, Bhajans and Geet.
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SaRe

  1. Ability to identify the Shuddha and vikrit swars.
  2. Practice of alankaars.
  3. Raag – Bhairav, Kafi, Bihag, Alhaiya Bilawal, Yaman, Khamaj and Bhupali.
  4. Taal – Ektaal, Keharwa, dadra and Teentaal
  5. Chhota Khayal, Bhajans and geet
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SaReGa

  1. Ability to identify the Shuddha and vikrit swars by listening.
  2. Practice of complex alankaars.
  3. Raag – Bhairavi, Durga, Asawari, Bageshwari, Vridavani Sarang, Bhimpalasi and Desh.
  4. Taal – Jhaptaal, Ektaal, Keharwa, dadra and Teentaal
  5. Chhota Khayal, Bhajans and geet.
  6. Introduction of Bada khayal in Raag Yaman.
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SaReGaMa

  1. Ability to identify the Shuddha and vikrit swars.
  2. Practice of jatil alankaars.
  3. Raag – Kedar, Patdeep, jaunpuri, Malkauns, Peelu, Hameer, Kalingada, Tilak kamod and Tilang.
  4. Taal – Jhaptaal, Chaartaal, Ektaal, Keharwa, dadra and Teentaal
  5. Bada Khayal, Chhota Khayal, Bhajans and geet.
  6. Bada khayal in at least previously learnt three raagas
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SaReGaMaPa

    1. Ability to identify the Shuddha and vikrit swars.
    2. Practice of jatil alankaars.
    3. Raag – Deshkaar, jaijaivanti, Kamod, Marwa, Multani, Shankara, Sohani, Bahar and Poorvi.
    4. Taal – Jhaptaal, Chaartaal, Dhamar Taal, Jhumra taal, Ektaal, Teentaal, Addha taal, Keharwa and dadra.
    5. Dhrupad, Dhamar, Bada Khayal, Chhota Khayal, Bhajans and geet.
    6. Bada khayal in at least previously learnt six raagas(new).
    7. Dhrupad and Dhamar with layakari in at least two raagas.
    8. Introduction of thumari in raag Khamaj.
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SaReGaMaPaDha

    1. Ability to identify the Shuddha and vikrit swars.
    2. Practice of jatil alankaars.
    3. Raag – Shree, Puriya, Gaud Sarang, Chhayanat, Hindol, Gaud Malhar, Vibhas, Darbari Kanhada, Todi and Adana.
    4. Taal – Jhaptaal, Chaartaal, Dhamar taal, Ektaal, Keharwa, dadra and Teentaal
    5. Bada Khayal, Chhota Khayal, Thumari, Bhajans and geet.
    6. Bada khayal in at least previously learnt Ten raagas(new).
    7. Dhrupad and Dhamar with layakari in at least two raagas(new).
    8. Introduction of Dadra.
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SaReGaMaPaDhaNi

    1. Ability to identify the Shuddha and vikrit swars.
    2. Practice of jatil alankaars.
    3. Raag – Ramkali, Miyan Malhar, Paraj, basant, Rageshree, Puriya Dhanashree, lalit, Shuddha kalyan, Deshi and Malgunji.
    4. Taal – Jhaptaal, Chaartaal, Dhamar taal, Ektaal, Teentaal, Keharwa and dadra.
    5. Bada Khayal, Chhota Khayal, Bhajans and geet.
    6. Bada khayal in atleast previously learnt Ten raagas(new).
    7. Dhrupad and Dhamar with layakari in at least two raagas(new).
    8. Thumari and dadra in at least 4 Raags.
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Syllabus for Semi Classical Vocal training including Bollywood

(Each Course Duration 1 Year)

SA (Beginners)

  1. Knowledge of Shuddha and vikrit swars.
  2. Practice of alankaars
  3. Raag – Alhaiya Bilawal, Yaman, Khamaj and Bhupali
  4. Taal – Addhataal, Teentaal, Keharwa and Dadra.
  5. Chhota Khayal, Thumari, dadra, Bhajans and Geet.
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SaRe

  1. Knowledge of Shuddha and vikrit swars.
  2. Practice of alankaars
  3. Raag – Durga, Kedar, Kafi, Bhimpalasi, Peelu, Pahadi and Tilak kamod.
  4. Taal – Addha taal, Deepchandi, Teentaal, Keharwa and Dadra.
  5. Chhota Khayal, Thumari, dadra, Bhajans and Geet.
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SaReGa

  1. Knowledge of Shuddha and vikrit swars.
  2. Practice of alankaars
  3. Raag – Desh, Shivranjani, Tilang, Majkhamaj, Malkauns, Darbari Kanhada and Kalavati.
  4. Taal – Jat, Addha taal, Deepchandi, Teentaal, Keharwa and Dadra.
  5. Chhota Khayal, Thumari, dadra, Bhajans and Geet.
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SaReGaMa

    1. Knowledge of Shuddha and vikrit swars.
    2. Practice of alankaars
    3. Raag – Maand, Gara, Poorvi, Todi, Bhimpalasi, Kalashree, Vrindavani sarang, Gorakh kalyan and Megh.
    4. Taal – Addha taal, Deepchandi, Teentaal, Keharwa and Dadra, Jat.
    5. Chhota Khayal, Thumari, dadra, Bhajans and Geet.
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Classes Details

At Present, both Offline and Online Classes are in progress.

  • At the time of the admission or a re-admission, a Mentor will determine a student’s level and his/her placement into an appropriate group. If a student is eligible for the next level, he will be promoted and placed in the appropriate group, by the Mentor.
  • The principal/Academy Coordinator reserves the right to assign a Mentor/Guru, based on a student's ability.
  • Classes will be conducted usually twice a week, and in groups. For efficient and effective learning, a student is expected to join the sessions in a timely manner.
  • If a student remains absent from a scheduled session, extra classes will not be conducted. However, it can be adjusted on some other day and another time, based on the Mentor’s convenience.

For more information, please contact our Academy Coordinator,
on the given number.

+91 9971117713

Academy’s various activities, apart from regular classes

  • Classes: classes are conducted regularly, twice a week.
  • Workshops: We offer a unique musical experience by conducting workshops in which students learn music from Maestros.
  • Musik Rites Magazine: Our quarterly publication, “Musik Rites” features primarily essays on music theory, music history and interviews of top-notch artists.
  • Artistes’ Concerts: We organize concerts of well-known artists and maestros that are open to the public.
  • Students’ Concerts: We organize students’ concerts every month (Sur Pravah) and every year (Sur Manthan).
  • Lecture-Demonstration Session
  • Music Competitions
  • Voluntary Services: Passionate and dedicated students, after receiving trainings for a certain period of time, are given an opportunity to perform with their Guru/Mentor, at various temples and Senior citizen centers.

Academy’s various activities, apart from regular classes

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